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Or maybe after the below sketch, my break is over. Anyway, if my increased digital art wasn't enough of an indication, I needed to hit pause on my watercolors for a bit. Besides wanting to improve in Procreate, my last three big watercolor illustrations were very rushed and I was not happy with the quality as a result. It's been over a month and I feel refreshed, so here's a little Combeferre to help me get back into it.

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 Every so often, I like to reblog a wardrobe meme in which people request a character in a particular outfit. Here's the first one for this round. I had a hard time picking which 1830s costume I wanted to draw Cosette wearing, but ultimately fell in love with this one from 1831. If only we had costumes like this nowadays!

PS-- If anyone here wants to request something for the wardrobe meme, just drop me a note!
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 Currently listening to an audiobook of the Wilbour translation, and having entirely too much fun with it. The narrator is so-so (bit of a smug-sounding British dude, and I truly hate the voice he does for Enjolras, but Javert sounds like Squidward, which is hilarious. I suppose it all evens out) but the translation is great! And there's something so nice and comforting about sitting in the sun or doing art or even finishing paperwork while listening to your favorite book. I always end up smiling like an idiot during my favorite parts (I bet I looked downright creepy during Blondeau's Funeral Oration by Bossuet)

Anyway, the audiobook has made me into a puddle of Courfeyrac feelings, so here's some art of my boy:



Drawing Les Mis art while listening to Les Mis. Is this officially Too Much?
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I love them, I love drawing kissing, I love drawing THEM kissing...
And I'm getting more confident at digital art, though I've hit a snag on a different piece I've been working on. 
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...In full digital color! I've put her in the dress featured in this fashion plate.

I don't want to speak too soon, but I think I've finally found digital brushes and techniques that work for me. This is good because sometimes I feel like sitting on the couch with my ipad rather than standing over a desk watercoloring, and I'd like to make art on even those much-too-common lazy days!

Les Doigts

Jun. 27th, 2019 09:38 pm
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“Whether bruised or broken, it doesn’t much matter — there is little to do for toe injuries but bind them and wait for healing.” Combeferre shifted a little on the sopha, adjusting Enjolras’ foot so that it rested more comfortably on his knee. He reached for his satchel to procure a strip of bandages, which he began to wind around Enjolras’ second and third toes. “And you might have simply opened the curtains rather than stumbling about in the dark. What were you thinking of?"
 
Sitting in the armchair pulled up close, Enjolras shrugged. “It was early. I did not wish to wake you.” Combeferre having tucked the end of the bandage up neatly, Enjolras flexed his foot, testing for mobility.
 
Combeferre shook his head and fought not to smile. “You woke me anyway — and half my neighbors, no doubt — with that great thunk in the sitting room. You would have thought the national guard had turned their cannons on my flat!”
 
“Perhaps you are so disagreeable in the morning that I was afraid,” said Enjolras gravely, though he wriggled his toes at Combeferre in a particularly goading manner. "A beam of sunlight would have hit you, and that would have been the end of me."
 
"I am not that ill-tempered in the morning," grumbled Combeferre, resting a hand on Enjolras' ankle. "And even so, is it very much worse than hurting yourself?"
 
Enjolras seemed to take this into consideration for a moment. "Hmm," he said, and then smiled. "It is true. One must sometimes face terrible things to preserve les doigts de l'homme."
 
He wriggled his toes again, as if to underline the pun.
In lieu of responding, Combeferre sighed and ran his thumbnail up the underside of Enjolras’ foot. Enjolras jerked back and, still the picture of grace, fell off his seat with a surprised laugh.
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 I signed up once again for the best fanwork exchange ever. Let's go!
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Don't you agree? I found some new brushes and some new techniques and I've been wanting to try it all out!
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 “Youth is the season of friendships quickly forged and wounds quickly healed. In Courfeyrac’s company Marius breathed freely, something quite new for him. Courfeyrac asked no questions. He did not even think of it. At that age faces tell all straight away. Words are unnecessary. Of young men such as these you could say they have talkative faces. At a glance, they know each other.”  -Volume III, Book IV, Chapter III



 
Happy Barricade Day 2019 (though I'm posting a bit late over here)! Barricade Day almost passed me by this year, and when I remembered, I almost decided against doing something. I'm glad did anyway, though. This was a traditional two-parters and was meant to be painted last year, but I was too busy traveling and moving.

Courfeyrac and Marius' friendship is one of my favorites, and deserves more depictions. Despite it not happening too much in the brick, I think it would be very expected for Marius to feel Courfeyrac's loss greatly once he had recovered from his injuries and illness.
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...I just don't want to.

(Though I should say that since Barricade Day is less than a month away, this officially qualifies as foreshadowing)
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Courfeyrac is a serious man who does only serious things

And I need to draw little watercolor sketches more often
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 Some original characters for once -- though they do make an appearance in my fic Step by Step. I love them very much and one day I'll write a novel about them.



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One day I will master graphite as a medium in and of itself, but it is not this day. Still, this was fun <3

Boys!

Apr. 14th, 2019 08:59 pm
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Used my new watercolor palette for this one, and I'm more or less pleased with the colors, though after this I'm exchanging my burnt sienna for permanent brown, which is redder and richer and more similar to the burnt sienna of my liquid watercolor set. An indispensable color for me! Anyway, glad to finally be sharing this; I started the first sketch in December.

I think Enjolras and Courfeyrac owe Combeferre an apology, and possibly a new apartment, after all of this!
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 As per [personal profile] smithens ' suggestion, here's a little pastoral E/C to test my new palette!



I painted this way too small, but it's enough to know that I LOVE this new palette! I'm not sure it's enough to drag me away from my beloved liquid watercolors for larger pieces, but for sketching it's very nice. I tried to use every color at least a little bit, and they all seem to mesh well.. The convenience colors were well chosen and so this painting went very fast and easy. There is a lot of granulation happening, but again, I painted this very small, so the paper textures the pigments have settled into are comparatively large. Next time I'm going to go easier on the brown micron for the final details (using a fine watercolor brush would have been better), but overall I'm pleased. Mission accomplished!



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 A too-long post talking about colors and the process of putting together a paint palette! I've lately gotten the urge to put together a new watercolor palette -- specifically one that is travel friendly. Formerly, this would have meant my typical limited palette to save space (alizarin crimson, ultramarine blue, yellow ochre, burnt sienna, and burnt umber*), but I decided to do something different this time.

I've been using watercolor for years and even though I dabble in other things, it's very much "my" media. I've got a pretty good handle on color theory and mixing colors and I know very well which colors I frequently use, so I thought I'd give myself a little leeway and have fun. Some considerations:
  • Being both spoiled and picky, I decided to spare no expense and went for Daniel Smith watercolors for everything. Pricy, but worth it imo. Their paints rewet beautifully when dried into a palette and are very pigmented (which means a little goes a long way). They also have a HUGE number of options, and their website is very helpful in describing and showing swatches of each color. I already had a couple tubes of Daniel Smith beforehand and was very impressed by their quality and how they handle on the page. 
  • Colors I frequently use on their own or for mixing were taken into account first and foremost (see my base palette above), but since this palette is meant to be for travel (with limited space for mixing colors) I also decided to include some convenience colors -- shades I use frequently that must otherwise be mixed -- and a couple of colors I just thought were nice and want to experiment with.
  • Second, I took transparency and granulation into account somewhat. All of the colors I ended up picking are transparent -- even yellow ochre, which is opaque and slightly chalky in a lot of other brands. Transparency is up to personal preference, of course, but if I wanted a more opaque watercolor, I'd probably just use gouache instead. Granulation was a very minor consideration, since a lot of the colors I liked ended up being granulating even though I prefer non-granulating, but you can't have everything I guess!
  • The palette itself was also important to consider, not just the colors that go into it. In the end, I decided that it would be best to get an empty palette and buy a bunch of empty half and full pans to fill. All flexibility! I can have full pans of the colors I use frequently, half pans of the colors I don't, and move/rotate them out if I need to. The palette I bought holds 24 half pans or 12 full pans -- portable (about the size of a thin pencil case), but still large enough to hold lots of paint. It also folds out to give more space for mixing.
The final palette is below:


Top row:
  • Titanium white: an opaque (for watercolor anyway) white, just for final highlights.
  • Alizarin crimson: Pretty much the only red I ever use. Very flexible, can easily be mixed into something warmer or cooler, and good to include in some skin tones.
  • French ultramarine: A basic blue. If I decide to switch this palette up in future, this color would be the first to go, probably. It's very useful, again, especially in a basic palette, but I was very meh about it when I swatched it. It granulates a lot and I've been using pthalo blue more and more, since that was included in my liquid set while ultramarine was not. Maybe I'll fall back in love with it -- we'll see.
  • Indigo: A convenience color. Good for making dark blues/blacks and also an excellent color for things like 19th century coats.
  • Pthalo blue (Red Shade): My new(ish) favorite blue. I like how dark it can get while still looking lovely when diluted. Good for for both Enjolraic eyes and Enjolraic waistcoats!
  • Quinacridone Purple: Lovely on its own, but also useful for darkening up yellows without making them muddy. Also a good color for horrid frock coats certain poets might wear!
  • Rose of Ultramarine: Just an interesting color I wanted to try. I'm not that impressed with it, but to be fair I did not swatch it very well. It's a mix of Quinacridone Rose and Ultramarine Blue, with the rose floating while the blue granulates out, resulting in a two-tone layered effect.
  • Deep Sap Green: Another convenience color. I don't use a lot of green in my art, but when I do it's for large areas like grassy fields. It's annoying to have to mix up a huge batch of the precise shade of green I want, so this is a good, natural green to use as a base color.
  • Moonglow: I've had my eye on this paint for years, and it's finally mine! Again, I swatched it badly (I think I need practice with these multi-pigment paints) but it contains Anthraquinoid Red, which floats, Ultramarine Blue, which granulates out, and Viridian, which greys out the purple color of the whole. Would be nice as an easy, lazy, and moody shadow color, or as a nice Combeferre waistcoat, I think!
Bottom Row:
  • Sepia, Burnt Umber, and Burnt Sienna: Just my arsenal of browns of varying values and warmth. Good, natural colors for painting people especially (sepia + burnt umber = perfect Combeferre hair color). Burnt sienna in particular is a color I'd be lost without.
  • Payne's grey: I've never used this color except in my liquid watercolor set, which came with a very muddy, bluish green Payne's Grey. I make use of it, but this one here is much nicer, and seems like it would be a good color for making rich blacks (for coat collars or shoes or top hats, perhaps?)
  • Naples Yellow: Another color I've never used before -- a muted yellow traditionally used as a base for a lot of skin tones. It will probably help a lot in bringing more warmth and life into my skin tones -- and even though it's my policy not to use just one color when mixing skin tones, it's pretty much spot on for Enjolras'.
  • Yellow ochre: A yellow ochre that's transparent and not chalky! Another staple color, good for skin tones, hair, and so much more.
  • Aureolin: I debated forever about getting another yellow, since yellow ochre has been my tried and true for a very long time, and I had cadmium yellow in my collection in the past and just never used it, but I decided to just try it out. Did I pick this one just because my Enjolras' middle name (or at least one of them) is the too-on-the-nose Aurélien? Maybe, but I'm glad I got it. I was a bit concerned when I squeezed it in the pan, since it looks like a very ugly mustard, but it turns into a pretty sunshiny yellow when on paper.
All in all, I'm pleased about the whole thing. All that's left is to test it out (which I'm doing as I type this) though I think it will end up being a pretty cohesive palette on the whole. If not, I have some extra empty pans to fill and switch out if the palette needs refining!

*Despite all of the above waffling and how fun it is to pick out colors, I HIGHLY recommend this limited palette (plus white for opaque media) for anyone starting off with a new kind of paint, or someone with a limited budget/storage space. You can get a good idea of how the paint works while also being able to mix pretty much any color you want, but it's not such an investment that you've wasted hundreds of dollars starting a new type of media in the event you decide it's not for you. These are also good base colors to have in your collection before you decide to expand your palette. 
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Thanks to my nifty pomodoro app, I got over both some artist's and writer's block and made some good progress tonight! Really, there is no excuse to not do 30 minutes of drawing and writing (and reading and potentially French study) each day -- that's only two hours of work, after all, even if I have to really force it. And I ended up getting so into it that I did a solid hour of writing without a break, which is huge for me in light of my recent creative struggles. My Grandaunt Enjolras fic is coming along!

The problem is that it's now 10PM and all I want to do is cry about this really emotional scene I'm working on, and the fact that it's still going to be ages before this story is done and I can share it. The years of build up and now finally getting this story down on paper is really playing havoc with my emotions!
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I was feeling nostalgic about my Courfeyrac/Feuilly fic Lying Low, so here's a little ficlet featuring the pair of them!

---

“Emily attempted to go, but Dorothee stood fixed and gazing upon the bed; and, at length, said —‘It is only the wind, that waves it, ma’amselle; we have left all the doors open: see how the air waves the lamp, too. — It is only the wind-’”
 
Confronted with Courfeyrac’s dramatic reading, Feuilly shook where he lay, though with suppressed mirth rather than the fear The Mysteries of Udolpho usually inspired. Ill, fatigued, and heavy-limbed though he was, he felt inclined to laugh at everything, though whether this was the effect of the laudanum or whether Courfeyrac’s countenance was truly comical, he could not have said. His friend was perched on the bed beside him, quite literally at the edge of his seat, white-knuckled hands trembling as he clutched the book. 
 
Though Feuilly’s illness was not serious, it had made him long for a day of rest, and once he had gotten his wish Courfeyrac had insisted on playing the nursemaid. Feuilly had no need of nursing, but he could not deny that he felt much better with Courfeyrac’s cheer filling his drab little room. He therefore did not protest when Courfeyrac pressed him to rest and eat to keep up his strength — though Feuilly doubted macarons, beignets, and tarte tatin were fare typically advised for illness. 
 
And now, Courfeyrac was determined to read to him. Feuilly wondered if he realized he was performing each character’s voice with different intonations, quite high for Emily and slightly lower for Dorothee, or that he was hunched over, his nose inching closer and closer to the pages as the tension of the story mounted. Perhaps Courfeyrac had forgotten Feuilly was even present at all, so engrossed was he in his novel. 
 
“She had scarcely uttered these words, when the pall was more violently agitated than before; but Emily, somewhat ashamed of her terrors, stepped back to the bed, willing to be convinced that the wind only had occasioned her alarm; when, as she gazed within the curtains, the pall moved again, and- and-” Courfeyrac gulped audibly, and Feuilly had to bite his lip hard to prevent any noise from escaping him. “And in the next moment, the apparition of a human countenance rose above it!”
 
It could not be helped. Feuilly burst out laughing, and Courfeyrac jumped so violently that the book went flying from his hands and slid across the floor.
 
“I’m sorry, I’m sorry!” Feuilly wheezed, as Courfeyrac made a dejected face and  stooped to retrieve the book.
 
“I suppose not everyone appreciates the charms of Madame Radcliffe,” said Courfeyrac, in tones of mock offense. He marked his page and set the book aside — no doubt to pick up where he left off later, and scare himself silly again, thought Feuilly.
 
“It’s not that,” Feuilly said, smiling a little and propping himself more upright on his pillows. “You were just so- so intent-”
 
“Ah, so you are laughing at me, then? Is that it?” Courfeyrac attempted a straight face, and failed. “The things I must suffer to ensure the recovery of a friend!”
 
“I did say I was sorry,” said Feuilly. “Come- you know I would not laugh at just anyone like that.”
 
“And now you are trying to persuade me to take it as a compliment. How dare you, Monsieur?” Courfeyrac stood to smooth the bedcovers, tucking them more snugly around Feuilly’s shoulders, and then, with the barest trace of hesitation, reached to feel Feuilly’s forehead. “Are you feeling any better?”
 
“Worlds better.” He meant to attempt a quip back at his friend, but Courfeyrac’s fingers lingered a little at his temple, and the only thing Feuilly could add was, “I can’t thank you enough.”
 
“I’m glad for that.” Courfeyrac beamed, and the laudanum must have been affected Feuilly after all, for he felt suddenly light-headed. “That you are feeling better, that is. You see, all this food and bedrest does a world of good.”
 
“Oh, yes,” said Feuilly. His face felt a little more feverish. “Those do, as well.”

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 I just got back from vacation and I've been working on this and that, but the only art I've got to show for myself is The Boy <3


Been trying to improve my anatomy and my accuracy of clothing overall. Also his waistcoat is a sort of simplified version of the one I have for the Courfeyrac cosplay I'm slowly compiling!
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  • Borrowed my first book with the Libby app, now that I have a library card (awesome!) -- and leave it to me to choose one I ended up really wanting to buy to read over and over again. It was Friday's Child by Georgette Heyer, and for a book where 5/6 of the main characters are utter idiots, I enjoyed it immensely! Highly recommend it to Regency romance fans -- it includes a sweet and earnest heroine, a hero that undergoes a full character arc (albeit needing a bit of a push from his friends), a parody Byronic hero, and two dudes who are 100% in love (at least in my own mind). Predictably, responsible and slightly awkward Gil Ringwood was my favorite character.
  • Someone needs to talk me out of starting the Wilbour translation of Les Mis. I have so much more to read, but every time I crack open this book I fall a little bit more in love with it. I have a good feeling about it and want to see if it will beat out Donougher as my favorite translation.
  • Zac is currently bribing me into cooking for us more (which I should be doing anyway, since he both works more hours AND cooks for us 90% of the time) by saying he'll listen to my Les Mis audiobook with me in exchange. I wonder if he thinks he's set an impossible task for me, so then he won't have to? Joke's on him -- I'm determined to indoctrinate gently introduce him to appreciating this book too, and have been wanting to trick myself into actually liking to cook.
  • I've been slacking terribly when it comes to writing and drawing. I'm trying to focus on writing my fic about Combeferre meeting Grandaunt Enjolras, and I'm pleased about it so far. It looks like it's going to be one of my longer one-shots (3500 words so far, and the grandaunt has just been introduced). It feels good to finally write something I've been thinking about for so long, but I don't know how it's possible to feel so inspired and yet so lazy about actually doing anything.
  • Planning on re-starting Skyrim. The question is whether I remake a Skyrim!Enjolras or a different character. Playing as a grizzled and confused-why-he's-there Enjolras who has to deal with dragons and guilt-tripping orphans and being sucked into alternate dimensions adds a hilarious layer to the game, but maybe some other character would be just as fun!
  • I've really been slacking on my French studies also. If anyone has any tips for self-study/motivation, let me know? Got a really good intermediate grammar book, multiple audiobooks and shows and podcasts, Lingvist, and Rocket French. If I'm really serious, though, I should probably find a language partner since speaking is the hardest thing.
  • I'm going to be home in Hawaii for my aunt's 90th birthday next week, so I don't know how much time I'm going to have to keep up with my other hobbies, but I will try!

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